About his collection

1990

PREMIER COLLECTION
The Regal Room, Hotel Oberoi Towers, Bombay.
Ivory silk tunics hand painted with Indian folk motifs and Miyake-inspired white organza capes are worn with brilliant-hued ample trousers.
THE AFRICAN COLLECTION
Glitterati, Bombay.
Crepe saris and scarves are hand-painted with rich, gold, African shields and contemporary African motifs. Trapeze line blouses and long flared skirts with stoles form a new sliming silhouette for large sizes.
FESTIVE COLLECTION
The Presidency, Hotel President, Bombay.
Minis and wraps are treated to Eastern-style colour contrasts. An abundant use of beaded tassels and gold, hand-painted matador fights inspired by Picasso paintings on porcelain.

1991

THE SEA COLLECTION
Glitterati, Bombay.
Semi-sheer ensembles in airy chinon are acid dyed to resemble a corral reef. Indian home-spun silk is embellished with ‘cubist’ sea-horses in appliqué.
AN INSPIRATION FROM TIBETAN MONASTARIES
The Regal Room, Hotel Oberoi Towers, Bombay.
Rich monastic colours are complimented with modern treatments and luxury detailing, creative accessories and simplistic, confident style lines. Poems on reincarnation by the Dalai Lama are scripted in gold on the ensembles.

1992

RAJASTHANSCAPE
Glitterati, Bombay.
Sand coloured tussar, midnight crepe and dazzling white are used as a landscape to enhance two-toned ring stoles and tie-dyed saris. Hand-painted motifs in gold illustrate village women with pots and elongated equestrian shapes.
THE TURKISH HAREM
Glitterati, Bombay Oogan, Delhi. A collection inspired by the Ottoman Harem in Istanbul. Sheer organza and flowing crepes are treated with line embroidery and mosaic hand-painted sky-lines. Experimental pastel combinations include pink with apricot, lime with chartreuse and aquamarine with lavender. The tunics and stoles are ‘slit’ to enhance fluid movement. Introduction of a menswear fine in raw silk, lightweight tussar and cotton linen. Motifs consist of hand-painted Ottoman Calligraphy and embroidered Iznic tiles from the Harem.

1993

TEMPLES & TRIBAL SUMBOLS OF SHIVA / VISHNU WORSHIP
Glitterati, Bombay Ffolio, Bangalore Spiritual smearing in vermilion, Kumkum red, orange and deep pink on tussar kurtas hand painted with temples of Shiva and Vishnu. Handpainted motifs includes tribal symbols in gold, terracotta and earth brown. Menswear in crisp linen and slub cotton. The collection encompasses a palette of vanilla, white, leaf green, mustard, beige, salmon and sky blue.
THE PRODIGALE COLLECTION
Glitterati, Bombay Ffolio, Bangalore,
A return to leaves. Pineapple, Banana, Wild Cotton, Viscose and Wheat are woven with silk and sewn in palm-pleated effects. Inspired from leaves and the subtle movement of trees, the collection is complimented with custom-made accessories in coconut shell and rice straw.

1994

THE CYCLADIC ISLANDS
Ffolio, The Windsor Manor Ballroom, Bangalore.
A collection of garments inspired by the terracotta artifacts at the Cycladic Museum, Athens, Greece. The ancient figurines, symbolic and primal in form, are appliquéd in silk on fine cotton and linen. Couture innovations include dhoti salwaars for men and terracotta “doves of Aphrodite” ring-attachments on stoles. The colours range from Aegean Sea Blues to vibrant terracotta hues.
THE LAMBADI TATTOOS
Glitterati, The Taj Hotel Ballroom, Bombay.
Extensive research on the rich tattoo tradition of the nomadic Lambadi tribes is the basis of a collection in a range of skin tone silks, treated and specially woven to resemble skin. The ‘tattoos’ are embroidered, hand-painted and scorched on to the garments.
MELANGE PREMIER
Melange, Bombay.
An opening collection for India’s premier eco-oriented boutique. Classic separates in natural tones emphasise the custom weaves and fabric finishes. Innovative twin sets, simple tunics and asymmetric beachwear.

1995

CREAM
Mélange, Bombay.
Ffolio, Bangalore. Luscious fabrics in cotton are styled to fall in pure lines and drape in a “molten” manner on the body. The entire collection is “cream” in colour, texture, styling and silhouette.
‘CLOTHING THE SOUL’
IGEDO, Dusseldorf, Germany.
A collection of garments, displayed at the world’s largest ready-to-wear fair, inspired by Indian thoughts on the soul, modern dance ballet and the resort flavour of Goa. The garments in sand and sea tones won international acclaim and firmly established the designer’s reputation of making an international debut with modern Indian design appeal. The Wendell Roderick FASHIONWISE column was introduced in India’s largest English selling women’s bimonthly FEMINA.

1996

SHEER
Melange, Bombay.
Nautical lines, sheer layering and slimming silhouettes harmonise to create an experiment in Indian sheer fabrics. Exquisite cut-work organza and satin in white and subdued metallic tones are moulded in stark, simple silhouettes which have become the Wendell Rodricks style signature.

1997

SUITE OF SEVEN CHOLI’S
Melange, Mumbai.
Using the basic Indian “choli” blouse, a collection of seven cholis explore varied dressing options. The cholis are titled ‘Line & square’, ‘Cowl’, ‘Kaftan’, ‘Peacock’, ‘Dhobi bundle’, ‘Dupatta’ and ‘Mala’.
WHITE VISION
Melange, Mumbai.
Textures, weaves, fabric and embroidered surfaces create a vision in pure white. Simple cottons, elegant linens and exotic silks blend to create the designer’s favoured colour.
ENSEMBLES
Ensemble, Mumbai
A collection of ensembles for Ensemble, India’s premier fashion store. White, black and grey create a lean long line. Titled ‘Minimal, Movement and Geometry, the garments are cut on a long geometric line resulting in drapes typical of Indian garments. Tunics hit the floor and pleated fabric spirals in wrapped styles.
WENDELL RODRICKS COUTURE SHOW
Kala Academy, Panaji, Goa.
The first solo showing by the designer done in couture style. Eighty garments reflect the personal style, decade long career and culture of Goa. Innovative fabrics include leather, net and woven cotton tweed. The garments are embellished with materials to resemble dew drops, rain, stars, exotic insects and petals.

1998

TWELVE TUNICS
Shoppers’ Stop, Mumbai.
Ogaan, Delhi.
Ogaan , Calcutta .
Using the tunic shape as a platform of inspiration, twelve avante garde garments in white, black, caramel and sea blue constitute the Wendell Rodricks Trunk Collection for Shoppers’ Stop, Mumbai. The twelve Tunics collection was also presented at the Derby in Calcutta as part of a fashion show.
PORTFOLIO
Ffolio , Bangalore.
At an exclusive fashion presentation in Bangalore, Wendell Rodricks introduced a portfolio collection of his renowned styles blended with recent creations. In shell pink, white and gold, the collection was a major success in India's Garden City. The wonder fibre TENCEL was introduced for the first time by designer for retail in India.
THE SPICE COLLECTION
The Fashion Bistro & Bar, Mumbai
A pioneering event in Indian fashion. Cosmetic giant, LAKME commission a range of garments inspired by their new seasons colours.
Wendell Rodricks creates a selection of fourteen garments in Hot Paprika, Ginger Spice, Toasted Cinnamon, Burnt Cardamom, Tangy Tamarind and Too Chilli. The slicky choreographed show by the designer earned much praise and publicity for an unusual blend of cosmetic colours and fashion.
EMBRYO
The womb of creativity Wendell Rodricks Couture Show
Solar dos Colacos - Goa.
A hippie trail leading out of Goa to embrace the tribes of the world. The designer unveiled his collection at a surprise party that moved venues from a cruise boat to a Portuguese heritage home on the Mandovi River. Forty garments inspired by world tribes were put togethered in an Indian spirit. Departing from his signature style, the designer experimented with new age fabrics and a “look” oriented line ideal for the new millennium. Indo – West gives way to “Indo – International”.

1999

CUTTING ON SQUARES
The Holiday Inn, Allure, Ahmedabad.
Using Indian geometry and the basic square shape, the Wendell Rodricks Spring/Summer ’99 collection in cotton & linen extends the designers concept that flat shapes can drape on the human form. Pure white, paperfeel cotton, soft ivory viscose, a range of pastels and citrus brights colour the collection. A line of shoulder twists in fine cotton mul are introduced. The collection was later retailed at Goa , Mumbai , Delhi and Bangalore .
IN MID AIR
Gravity Zone, Anjuna, Goa.
At South East Asia’s premier bungee jumping site, Wendell Rodricks presented a sensational colour palette of bright, textured and pleated fabrics, to present a new look for the millennium. All forty garments had a distinct new innovation in couture and were presented in COUTURE style on ramp and with models jumping off the tower. The bride in a trailing chiffon ensemble aptly titled “Apsara” flow off the bungee tower to the delight of the audience.

2000

MOVEMENTS
McDowell Derby, Mumbai
Opening the most fashionable Derby event of the year, Wendell Rodricks designed a collection based on the equestrian movements of models on ramp. Using a patchwork of fabrics in cream and beige, the collection displayed a variety of hemlines and silhouettes where movement of both fabric and wearer are of prime importance.
INDIA FASHION WEEK
Taj Palance, New Delhi
Wendell Rodricks is commissioned by cosmetic giant Lakme to close the finale of the first ever Indian Fashion Week. Using a multitude of silhouettes and fabrics the white, skintone and black ensembles create a historic style statement.
ACE OF DIAMONDS
Ford Supermodel Contest, Mumbai.
The Ace of Diamonds collection explores the bias cut from fabric patterns that are cut in diamond shapes. Four varieties of silk, hand dyed in petral blue, garnet, aubergine wine and slate grey were worn by supermodels and filmstars at a glittering evening where Wendell Rodricks was Official Designer for the most prestigious model search contest in the country.

2001

WHITE LIGHT
Dubai Fashion Week, Wafi Pyramids, Dubai.
Wendell Rodricks was invited to open the first ever Dubai Fashion Week. At a gala show sponsored by shampoo giant Silvikrin, Wendell Rodricks presented twenty five white ensembles inspired by Goa. Using fluid crepe, sensuous satin and flowing crepe, the Wendell Rodricks White Light collection worn by international models was a grand success in the oil rich emirate.
VISIONNAIRE
Ensemble, Mumbai.
Wendell Rodricks VISIONNAIRE, inspired by the visually challenged is a remarkable attempt to further the role of fashion in areas of social influence. Braille embroidery, varied textures and a fashion philosophy based on how one feels rather than how one looks makes Visionnaire a unique fashion statement. The collection was widely reported in the international media as it was the first time ever that the blind could ‘read’ their clothes and enjoy the liberty of dressing on their own.
CRAFTWORKS: THE WENDELL RODRICKS EXPERIMENT
Goa Marriott Resort, Goa.
A pioneering event in Indian fashion and possibly for the first time in the world Wendell Rodricks experiment gave the audience a peek at the behind-the-scenes happenings of a show. The designer cut and draped garments on models on stage with his entire studio on ramp. Make up and hair was done in front of an enthralled audience. Drawing inspiration from various aspects of Goa, the designer created each exclusive outfit in couture style.

2002

TATA TENNIS OPEN COLLECTION
The Taj Corommandel, Chennai
Westside displays the Wendell Rodricks Summer 2002 pret collection at the internation Tata Tennis Open. The collection included textured cottons in white with a refreshing tint of lemon. Design details included curved seams, handpainted shlokas, fringing and layering.
GLADRAGS
Megamodel Manhunt Contest.
The Grand Maratha, Mumbai. This contest which is a scouting ground for new models commissioned Wendell Rodricks to design the finale round gowns in bright sorbet colours.
GOA
Boulogne-Billancourt, France.
The chic Parisian suburb of Boulogne-Billancourt invited Wendell Rodricks to showcase forty ensembles for their Festival of India in France. Inspired by the resort state of Goa, the collection was retrospective in part but also showed a line of fascinating marine-inspired pleating. Using a palette of minimal white, beige, blue and black, the designer infused rich Hindu colours like red, orange and fuschia into this striking spiritual collection.
RIAS MALAYSIAN FASHION WEEK
Sunway Lagoon Resort Hotel, Kaula Lumpur, Malaysia.
A retrospective of Wendell Rodricks creations are displayed at Sunway Lagoon Resort Hotel in Malaysia. Invited by the RIAS team among from other international designers, the Wendell Rodricks collection was a resounding success due to it’s originality of approach from an Indian designer.

2003

WORLD NO TOBACCO DAY SHOW
Hotel President, Mumbai.
To support the Cancer Aid Society and World No Tobacco Day, a special showing of four designer collections on celebrities was unveiled before the WHO authorities and the Minister of Health, India. The Wendell Rodricks collection in white, black, turquoise and lycra ensembles combined flying panels, slashed gladiator menswear and evening gowns, one of which appeared on the cover of ELLE on VJ actress Malaika Arora.
WATER SPRAY FOR LAKME
Lakme India Fashion Week, NCPA, Mumbai.
The first designer to be repeated for the Grand Finale at India Fashion Week, Wendell Rodricks drew standing ovation applause for a collection inspired by water. From the opening ‘aquarium’ water filled corset to the 95 metre cloud net skirt, the Rodricks creativity moved from a subtle palette of cool blue, ice pink and dazzling white. A memorable collection of thirty one ensembles, each in a unique style.

2004

FASHION DEMOCRACY LIFW 2004
The Grand, Delhi.
The “Fashion Democracy” collection at Lakme India Fashion Week featured a fun filled 60’s musical track, 51 “models” included children, teenagers, elders and grandparents…… of various shapes and sizes. VJ and actress Mallaika Arora Khan sizzled on the ramp for the finale. On stage was a Goan carnival of colour with silhouettes for the slim, fat and short. A much applauded collection which proved that fashion is democratic and for everyone.

2005

RIPPLE COLLECTION
Seagrams Blenders Pride Fashion Tour 2005,
Mumbai, Kolkata, Bangalore, Delhi & Hyderabad.
In the world mourning the Tsunami, the colour code was earth mixed with hints of sky, sea and blood red. The clothes in crinkled fabrics treated to soft wave lines and teamed with luscious gleaming satins or sheer organzas. Not single sequin or bead, the collection is of colour, cut and style in the purest minimalist form.

OCEANIA COLLECTION
LIFW 2005, The Grand, Delhi.
Wendell Rodricks OCEANIA collection arrives from the islands in the Indian and Pacific Ocean. Documenting the tribal sea art of the islanders, the collection is a new statement from India’s Guru of Minimalism. Indian tribes who traveled the ancient sea routes, settle on islands as far flung as Easter Island and Papua New Guinea, return to India on the LIFW 2005 ramp in a silhouette that is a blend of structure, sculpture and sensuous fluidity. Sportswear staples blend with sublime silks. Edgy denimwear meet couture cuts. Layers play a strong part in mixing an Indian tunic with a Western jacket over an island sarong and jersey trousers. The garments are blended by the minds of the islanders. Ancient with modern. Indian with International.

2006

THE BLACK, WHITE & SKIN COLLECTION
Water Edge, Colombo
From the white sands and black laterite rocks of Goa’s celebrated beaches, the Wendell Rodricks collection, compiled specially for the Rotary Club of Colombo East, Colombo. Cutting on a fluid line that is the signature style of the designer, the Black, White and Skin Collection is a style statement from one of the most reclusive design studios in India.
ISADORA IN INDIA LFW
Spring Summer 2006, NCPA, Mumbai.
Born 1877 in San Francisco, Isadora Duncan broke the stereotype of classical dance. She was a free spirit that pioneered a dance movement away from the confines of the Russian ballet. Dancing bare feet, hair flying free and scantily dressed in Greek costumes, Isadora danced using the solar plexus and torso as a generating force. Her celebrated simplicity was oceanic in depth and she is credited with inventing what we call today Modern Dance. Isadora died as dramatically as she lived on September 14, 1927. Her long trailing scarf caught in the spokes of her new Bugatti strangled her.
In an imaginary visit to India, Wendell Rodricks creates a collection inspired by Isadora Duncan. In a suite of four tributes : The Purist, Summer Fresh, Nature’s Child and Celebration, Wendell Rodricks draws parallels between the minimalist approach of his repertoire and the spirit of Isadora Duncan………. in India !

THE CRUISE COLLECTION
CASTLE INDIA MENS FASHION FAIR 2006
Bangalore Palace, Bangalore
In the Cruise Collection, the designer uses sheer layers for men, fringe detailing and no embellishment. In a medley of fine linens, cool cottons, lush silks and light wool crepe, this is fabric and cut in its purest form.

LES VAMPS
Lakme Fashion Week Spring Summer 2007
NCPA, Mumbai.
The Wendell Rodricks Spring Summer 2007 collection for Lakme Fashion Week goes beyond the veils of dark secrets to disclose an ethereal, mysterious collection. Like the spirits and exorcists who are almost always beautiful women, the clothes in vapourous white, midnight black, dusk gray and blood red are a tribute to Goa’s other world. Emerging from dark Goan manoirs, swooping on bat wings, gliding over fields and floating on sea waves, these are what the Western world would call Vampires. ‘Les Vamps’ is about beauty, mystery, secrets, fear and above all fashion; for the woman of today who can take on many emotions : switching from coy innocence to fierce vamp with equal ease. Like the haunting beauty of Goa’s ghosts, spirits and ‘vampires’.

2007

GEOMETRIC DRAPERY
EURO INDIA 2020,
FASHION SHOW Taj Exotica, Benaulim-Goa.
The Euro India conference at Taj Exotica invited Wendell Rodricks to display his collection at a special showing for 250 select guests. The sixty garment collection was displayed on India’s best by super models the Wendell Rodricks Geometric Drapery collection was chosen for it’s international appeal that was much applauded by the European and Indian presence at the conference. Using a Goan palette of pristine white surf, grey monsoon sky, volcanic black, azure blues, sand and nude tones.

EMPRESS
LFW FALL/WINTER 2007-2008, NCPA, Mumbai.
In a collection of four layered personae: Virgin, Mistress, Empress and Saint, Wendell Rodricks celebrates the unique and sensational life of the Empress Theodora (c 500 – 548 AD) who was virgin, whore, mistress and eventually Saint in the Orthodox Church, celebrated each year on November 14th. In a colour palette as varied as Theodora’s many facets, the Empress collection moves from Ivory to bright Scarlet, Gold, rich Purple and or silk, the clothes are a tribute to the Empress Theodora’s humble deep Black. In his trademark style, Wendell Rodricks uses a minimal approach to cut clothes that are both creative and practical. Layering chiffons and organza’s under heavy coarse cotton or silk, the clothes are a tribute to the Empress Theodora’s humble beginnings and glittering courtly splendour.